Tuesday, June 17, 2008

Why Robin Hood Isn't A Classic

Definition of "Classic":
a. Belonging to the highest rank or class.
b. Serving as the established model or standard
c. Having lasting significance or worth; enduring

Here are some reasons why Robin Hood, though remarkable and influential in it's time, is not a classic, and Disney should stop pretending it is. These reasons are not opinions, but truths according to structural flaws. These flaws include:

1. Too Much "Fluff": Today's movie scriptwriters have learned to begin scenes as late as possible and end them as soon as possible. They've also learned to throw out any material that doesn't further the story. The reason for this is that they have only two hours to get their message across. "Fluff" is any meaningless line of dialogue or pointless action. In other words, it's screentime without story. Robin Hood is overflowing with examples of this. It's scenes come in early and exit much too late with too many details without exposition or movement. The result is that viewers, especially young kids, become bored and stop watching. Also, it's just bad storytelling.

2. Limp Protagonist: Every story must have conflict. Without conflict there can be no resolution, and the plot structure collapses. Furthermore, direct conflict only takes place because characters make choices that bring it about. Now, Robin Hood's fault is not in it's conflict, but rather in the essence of it's conflict. It's true that stories require action and reaction, but for some reason the main character, Robin, always seems to be on the reaction end. This is true not only for the Setup, but also the Confrontational and Resolution stages of the plot. Think about it. What happens if a character never makes a direct action to overthrow antagonism, but is always reacting instead? When the antagonist Prince John raises taxes and the town of Nottingham goes into depression, Robin does nothing about it. Instead, Prince John makes another action by ordering that Friar Tuck be hanged(in a crafty attempt to ambush Robin Hood), and Robin reacts by executing a jail break and freeing all the unjustly imprisoned inhabitants. Hmm. Why didn't he just save all those poor prisoners in the first place? The film provides no explanation. Though witty and charming, Robin is ultimately becomes a character we can't relate to or properly cheer for.

3. No Concrete Controlling Idea: A controlling idea is the inner message of the story. It's referred to as "controlling" because it directs the plot's events and characters in order to reflect a meaning. Though there are themes of unjust taxes and an oppression in Robin Hood, a controlling idea itself is strangely absent. Interesting, as this element is often the ultimate purpose of a film.

Robin Hood has a couple remarkably charming and influential moments. On the other hand, the flaws listed above would condemn most any of today's movies. Apparently it's because Disney has enough money that it can be released again and again, and deemed a classic: worthy of your repeated purchase.

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